yes, no, maybe (2022)
book: “Die page blanche in der Literatur und bildenden Kunst der Moderne”, 1-cent coin, porcelain plate, battery, dc-motor, neodym magnets, microcontroller
(Exhibition view: “Leerlauf”)

A coin spins endlessly on top of a plate, which rests on the book Die page blanche in der Literatur und bildenden Kunst der Moderne. Rapid yet unstable in its rotation, the coin sustains a moment that is, by nature, meant to be brief. In doing so, it transforms a fleeting decision into a stretched state of suspense—a limbo between beginning and end. The fragile balance evokes both inevitability and delay, holding viewers in a hypnotic pause where resolution is endlessly deferred.